Feeling alive (finally) at the Brixton Academy

C’eci n’est pas une Tourist gig review

The old me would start this with an apology for being rambly and pushing it to the absolute limits of the month before publishing 2026 blog post numero dos, but I don’t think anyone let alone myself should see any reason to care. All my resolution bingo targets were to do the equivalent of one per month the whole time, honest! And besides, any efforts to do any these things however successful (or otherwise) they might end up being is still an effort I’m consciously putting in to make my life better and richer and brighter and more interesting than it otherwise might have been. When I eventually got around to mentioning these goals to my therapist a couple of weeks back he seemed delighted to hear self-improvement concepts finally coming out of me after almost five years of Monday morning calls in which I’d simply vent about whichever new mild to strong inconveniences had got the world feeling like it was crushing me into a pulp that week. It’s nice to feel earnestly better and happy with myself and my place in the world and my friends and engage with hobbies and fun as I often do now. It’s nice not to fear free time and being alone with my thoughts, and also know there’s always someone around to talk to or spend time with. It’s nice to feel like I have at last started to get somewhere, or at least carry a greater appreciation of how I’ve managed to eke forward through and despite it all into a life I can and should be proud of. 

My main idea for a spiel this month was going to be about why I love the music and new cinematic exploits of Charli XCX, 10 years on from her releasing the Sophie-helmed Vroom Vroom EP I reviewed on release for a uni magazine. I still might write that piece one day, even if only to give Sophie’s legacy due respect at long last and to place on record how and why Charli’s music and our shared love for it led to (no exaggeration) me talking to and eventually meeting my 22-year-old American half-brother for the first time last summer. I haven’t made enough of that. That was truly wild. We really should probably file some sort of paperwork to legally replace our mother with Miss C. E. Aitchison of Bishop’s Stortford, I’m sure she wouldn’t mind and I know her fans have done far worse. But instead, seeing Emerald Fennell’s truly astounding(ly bad) “Wuthering Heights” on Friday afternoon has likely permanently altered my brain irreparably and that’ll all have to wait for another day, and the blurbs I dumped on Letterboxd from the train in the evening for both “Wuthering Heights” and The Moment will have to suffice for the time being.

Instead I’m writing all this from the Brixton Academy, one of my favourite places on earth even if the last couple of times I’ve gone have ultimately been truly miserable experiences in terms of my brain wandering errantly into abject sadness about people I wasn’t there with. One of those I alluded to in the first blog back: at an impulsive LCD Soundsystem show at the start of last summer, while already sweltering out every fluid from every pore, something in the intro to James Murphy’s ode to a dead therapist ‘Someone Great’ just flicked a switch in my brain to have me bawling my eyes out on the floor outside the urinals for the rest of the evening about an old friend. She’s not dead, just she feels like it to me still, and with eight more months and not that many more breakdowns to reflect on her wake I do feel like I let something go a little that day. And not just half my body weight in literal sweat and tears. The other more recent breakdown was watching Dijon last month, where I was there in physical presence but my mind was off lamenting who I wished was sharing that moment with me. Maybe I’ll touch more on that soon – there’s 10 more of these that need to be written after all – but again I did at least feel the crisp air hit me differently on the way out and get home feeling refreshed and like life might not be defined by fear and loneliness after all. Even the shittiest times can have their merits.

Anyway, fast forward 18 hours and I’m reflecting on last night’s show – my 15th there if I’m counting correctly – from Tourist, a man whose electronic missives have been so comforting and euphoric and powerful for me across the last decade. There’s ‘Run’, the mesmerising track that hooked me and many others in 2016, and one of the very few moments of his back catalogue to get a run out as he lived out his wildest Tiësto fantasies for one magical night in his south London home. But then there’s tracks like ‘Emily’ and ‘Pieces’ from 2019’s Everyday which had such a profound effect on me in the worst depths of depression and self-loathing, or ‘Last’ with The Range that’s best described as literally the track that started a playlist of mine called Life Is Not Entirely Shit Actually, which I keep downloaded and at the ready for any moment where I desperately need that reminder. I want to say there was an interview or something once where he said he made dance music for people who didn’t really dance. At the very least last night he said his favourite place in the world was his studio, and that seeing so many people connecting with his work as we were was properly overwhelming.

This tour was all about Music Is Invisible, a so-called “pub trance” record released in December and launched in that most conventional of ways: T-Dog booking out The Barley Mow near Baker Street a few nights beforehand to play the new songs and pour a few drinks for anyone who fancied coming along. They say never meet your heroes but I can absolutely say if they’re offering you an open bar with free T R A N C E t-shirts and you happen to be in London for a Wolf Alice gig that evening anyway then you should make an exception. Not only was the man himself (aka Will Phillips) so welcoming and happy to meet and greet everyone, who I’m sure were mostly like me and had spent so much of their lives holding his music close to heart on their headphones, but being in a room full of the friendliest strangers comparing notes on which of his shows we’d been to or favourite festival recordings and wanging some darts around was just one of the most beautiful and rejuvenating human experiences I’ve had in a long time. Though the group chat that popped up after four or so drinks to organise a reunion ahead of the Brixton show didn’t end up serving its purpose, I hadn’t even been inside the Academy for 30 seconds before embracing a familiar face from that night in our matching uniforms, and I wonder if we collectively set a record for the most smiles, nods, and quips of “nice shirt” exchanged in one room in one night.

And then there was the show itself. I think I spent about half of it with eyes shut just letting the sounds and lights surround me with bliss, and with no disservice to that pub and its speaker system I think it’s more than fair to say the record does work just that little bit better in a room of 5,000 with arms in the air feeling every pulse in their bones and souls. The setup as teased by Will to us a few months ago was just the man himself with his laptop et al in front of these four rows of spotlights, but as I rack my brains for a more impactful and affecting light show the only thing coming to mind is Four Tet’s five hour epic at Alexandra Palace a few months back. Maybe I’m just getting caught up in the euphoria of it all – I think it was during the Grimes-sampling ‘Veil’ the only thought bouncing around my head like that DVD logo was how I fucking love music and how I fucking love being alive, and there was a moment I genuinely considered pissing myself instead of risking missing anything, but thankfully on writing that in my notes here I realised pretty quickly how insane that sounded, and was back in place with an empty bladder five minutes later before the intro of the next track was out – but either way I had an absolute fucking blast.

‘Run’ set me off crying probably more than anything since that round of ‘Someone Great’, but hearing one of your favourite songs ever in that sort of context when already feeling elevated beyond what you used to think possible is obviously going to do that. His remix of ‘Pure Shores’ by All Saints kicked off the trance era last spring when he messaged a WeTransfer link to 2,500-odd different followers before it got an official release later in the year, and as a moment of singalong glee it was immense. The real surprise package in terms of emotional impact was ‘Outside’ from the new LP clicking for the first time, and linking its words and this version of myself back to that despairing and hopeless character on ‘Emily’ in a real (teary, shout out to the guy near me who I think tried fist-bumping me and telling me he loved me out of nowhere during it) moment of accepting how much things are different now for the better.

Not to get too parasocial or main character about it but when he closed on his 2017 remix of Wolf Alice’s yearning classic ‘Don’t Delete The Kisses’ I want to believe that was a little gift from the universe and from him just for me. Exchanging pleasantries at the pub that December night I mentioned I was on the way to their gig afterwards and how much I adored what he’d done with the song, and he mentioned something about how he’d been thinking about that particular edit earlier that day before I relayed a question from my grandma regarding why he called himself Tourist in the first place and conversation moved on. Then, for whatever reason, he chose to close this night of throbbing trance with that lovesick throwback and I’m grateful for a perfect end to a perfect evening, and one I certainly won’t forget in a hurry. I’d say I ended the night speechless but if anything it was the opposite, and I’ll once again emphasise that “Wuthering Heights” is absolutely batshit and was still the one thing about yesterday that floored me more than anything else. But not for the first time a night at the Academy has charmed and exhilarated and given me that thrilling reminder of the sensation of being alive, and with a few more mental demons banished I cannot wait to get back.

Contractual obligation blog post #1

So I guess I do new year’s resolutions and write self-indulgent words on the internet now?

In what can only be described as a fit of madness a few weeks back, I finally reneged on my long-running really funny [citation needed] new year’s resolution to never make any new year’s resolutions thus automatically failing all my new year’s resolutions, and instead followed the same Discord crowd that got me posting here last time into making a full-on 5×5 grid of the damn things as a bingo card to try and complete over the course of 2026. Maybe I’m just easily peer-pressured or maybe I’m finally insufficiently depressed (well? I think that’s a valid word, I just can’t quite compute the idea of describing myself that way yet) enough to actually think about hopes and dreams and goals and self-improvement and all that guff. Being realistic, I strongly suspect my main motivation to tick things off will be an urge to do better than everybody else rather than fearing failure or actually wanting the challenge, but hey: motivation is motivation.

And that leads us here, as one of the squares to tick off is to blog every month, caught up as I was at the time in a wave of thinking I might have things to say after a non-zero number of you seemed to like/resonate with that December ramble. The truth is I have no plans for what to do here. I’ve started a few drafts over the last few weeks that have fizzled out into nothing, much like this sentence. Eventually I promise I’ll get around to that thing about music I loved in 2025 if only to formally add myself to the chorus talking about how great Ninajirachi is, and I claim full credit for her putting Brighton on the tour schedule, but my two most played songs of the year so far are by Gracie Abrams and Geese, which I feel speaks volumes about how scattergun and disoriented my listening has been of late.

Trying to have any ideas while in the midst of [redacted current nonsense] and endlessly reflecting on last January, comfortably the weirdest and worst and longest year of my time, feels even more pointless than usual. I beg and I plead for time off and peace away from it all, but any time a quiet day does come around I’ll invariably end up spending it in bed just feeling drained and with my brain taking the silence as a cue to remind me of all the woes, real and fake and old and new alike. This particular version of post numero uno started life yesterday, a Wednesday that began with two hours sleep interrupted by anxious vomiting (both fun new recurring features of mine the last couple of years) before productivity peaked in the hour after I was meant to finish working, had me in a grand depressive spiral for a couple of hours before I finally took my meds, ate some food, watched the Community bottle episode and came back to my senses. But it’s a regular pattern.

At my worst, I feel resigned to my default being a feeling of worthlessness and endless, endless fear. Whatever happens, and whatever steps I might take to mitigate it and improve my life and those of the ones I love, I always just end up back in the hole wondering what the fucking point of it all is. It happens less than it used to for sure, and I’m generally far better at digging myself out of said hole when I find myself there, and I know I’m more likely to avoid these slumps if I keep myself busy and occupied and around people rather than idling insignificantly. But, alas, that’s where I was last night, and pretty solidly for a week earlier this month. My therapist at least pointed out was my first proper extended dip since September or October. That’s something, I guess.

Anyway, back to those resolutions.

Look I’d try and make this an actual table or do proper alt text but I’m meant to be in the pub in 20 minutes

I’m making fairly good progress on a few. My New York Times crossword streak now sits at 29 days, my best since November 2024. I’ve successfully made it outside every single day so far too, accepting it’s probably easier to just get out of my pyjamas and wander down the road than quibble with myself over how much leeway I can really give myself with that over the course of the year just for the sake of a few more minutes wallowing in bed hiding from the world. Cinema trip number one was Marty Supreme and by the time I’ve done next month’s Charli XCX doubleheader of The Moment and “Wuthering Heights” I’m pretty sure I’ll have met that goal in just two months. (I think the full 2020-5 list is Oppenheimer, Interstella 5555 and Hot Fuzz in case you were wondering.) Elsewhere, barely a week goes by where I don’t at least think about moving or tidying or running or any number of really basic things that might just improve my life and wellbeing or anything, and surely that counts for half! And then the Lego thing is really a deal I made with myself last summer where once I’d handled a particular Big Scary Thing at the very least I’d come away a delightful Nigel Mansell minifigure at the end of it, and Amazon keeps showing it to me at 35% off at the moment, but also why make things bigger and scarier when life is probably going to do enough of that for/to me regardless.

That feels like quite enough for part 1. I’ve avoided the temptation to cheat the system by publishing a single word at 11:59pm on the last day of January. Come to think of it, not trying to pull that sort of rubbish and only end up cheating myself seems like a pretty reasonable idea for a 26th…

ANUSTART

Xavier starts again on WordPress, part 71,812,125

I’ve never really been sure what to do here. I’m only back now because assorted friends starting up a Discord blogroll reminded me this place even existed, albeit on a domain that had long expired (not even for the first time) and the heavens opening up over South Africa tonight has meant my work shift was somewhat quieter than my boss intended.

There was a considerable time I fancied the idea of being a writer, but that never quite meshed with my sheer hatred for actually writing rather than basking in the glow of having written. I vividly remember one SATs mock almost two decades back where I couldn’t decide how to start and thus simply didn’t put a single word on the page for the entire hour. Sure, that’s a particularly extreme example, but it set the tone for what was to come: most of the more recent attempts to churn out words either academically, recreationally or professionally were only somewhat more productive, and usually cobbled together around 3am through fits of severe deadline pressure, panic attacks, vomiting, profuse sweating and self-loathing. In the end I got everything done that mattered though (mods do NOT check this).

Two domains ago, the last thing I published here was nearly seven years back, a County Championship match report to use as part of a job application that ultimately went nowhere. Six months later I did get myself into that same place as an intern, fending off over a hundred others to earn single-digit pounds on the days I’d commute to the London office on a peaktime train. Locking the place up on a certain Friday in March 2020 I had a feeling I might not be back particularly soon – oh what an innocent little boy that was – but this summer I did go back to that same building (now overlooking the street, no rear-facing basement office these days) to train some folks who’d travelled from New Zealand in the tedious minutiae of the work database, with one of the official agenda items being for them “to be as knowledgeable as Xavier”. Different company, albeit with several colleagues also having migrated similarly, and still the same looming fears I’m never doing enough to justify my salary, that without work there is no point to my existence, and that it’s all going to come falling apart at a moment’s notice somehow, but anyway.

I’m working on trying to have some sort of confidence and/or hope, I swear! I have been (incredibly slowly) for approximately 29 years, two weeks and four days. But it’s tough when, hypothetically, you survive one of the most stressful and frankly insane weeks of your life, begin to feel the slightest glimmer of something good on the horizon, and eight hours later find yourself having to smash your grandma’s front door down. That was precisely 11 months ago now, perhaps even to the minute.

Even before borrowing the neighbour’s hammer and calling 999 we were operating from a very low baseline, with 2024 being a year defined by grief and love and despair and endless, endless fear that all ricocheted off each other and just tore me apart, and it didn’t particularly feel like there was much of me to tear apart to begin with. But after what one pal called a “season finale” moment in A&E that night in January, a [REDACTED] number of long walks strongly considering throwing myself into the sea to escape it all, a particular low point in Brixton over the summer where I spent an hour on the floor crying out unknown fluids having already become the sweatiest person ever present at an LCD Soundsystem gig, thankfully the prophecy did eventually start to demonstrate itself. I’ve graduated from counting the hours between spirals where I lost all hope to bragging to my therapist that I didn’t have one Bad day in November – several very good ones actually! Amid the first chaos it felt like a logjam that had been holding strong since about February 2017 was finally coming unstuck. Well, either that or I’d finally lost any last shred of sanity and was simply on autopilot through circumstances too surreal and stressful to comprehend, which would still have been enough of an upgrade. But then the good bits started. Moments of calm and joy were no longer immediately sandwiched between intense bouts of despair and loneliness. I finally started losing track of how many days had, in fact, been worth living.

And that, in essence, leads us here. I think I do feel like an adult now. I think I’m happy with where I am and who I am in most aspects of life at long last, and the majority of what plagues me the majority of the (increasingly rare) time I do feel plagued is out of my control anyway. Last year I made perhaps too much of a habit of journaling thousands of self-deprecating words a night, which might not have been the best method of dusting off the keyboard cobwebs, but at least it happened. This is quite possibly the first thing I’ve ever written with the vague intention of other people reading it that hasn’t been half a dozen disparate ideas chaotically linked together and refined to the point of obsession over several hours/days but instead written from start to finish in one go and published without allowing myself to start overthinking it.

I quite like the idea of trying to write words and get excited about things and think out loud again. This isn’t the first attempt at putting something together here – most have been tucked away as they’re perhaps slightly more suited to discussions in therapy than going on the World Wide Web for eternity, but there’s been enough going on in life and inside my head I’m sure a good portion of it will be better out than in. Certainly I’d love to start enthusiastically yelling about music again, and if you’ve read this far it would be wonderful if you could incessantly pester me to finish off a piece on my favourite things I’ve listened to this year that didn’t make it into the Spotify Wrapped festivities. That feels as sensible a place to start as any.

Maybe this is the start of something fun. Maybe I’ll be 36 by the time the next post goes out. But I hope it’s the first one. I’m getting used to hoping again now. It’s quite nice really.

Taylor and Ackermann’s finests give Leicestershire the opening round advantage

Hove, April 5-8: Leicestershire 252 & 232 for 3 beat Sussex 173 & 308 by 7 wickets

Until Colin Ackermann’s scathing cut towards Hove’s third man rope sealed a rather straightforward seven wicket victory at 2:30pm on April 8th, one would have needed to hark back close to two decades for Leicestershire’s last spoils in a County Championship jaunt to Sussex. Following up a maiden first-class ton from 23-year-old sprog Darren Stevens, the limelight of that 1999 Arundel fixture fell firmly upon one Matthew Brimson, whose 9 for 120 dwarfed the two other five-wicket hauls his orthodox spin had delivered a month apart against Kent and Sussex three summers prior. Should that name ring any bells, it will most likely be thanks to the surreptitious appearance of his penis on page 657 of the next year’s Wisden – probably not the only reason his county days lasted just six further outings, but nevertheless a perplexing act of self-sabotage that Paul Nixon’s squad would do wisely not to replicate.

Ackermann’s spot at the crease to secure victory was fitting, having earlier used his part-time off-spin for a career-best 5 for 69 – his first five-for in 190 attempts at the professional level. Having gone unbowled first time round, his token over to accelerate forward the second day’s tea interval achieved what 20 from four pace colleagues hadn’t, ending the opening stand of 105 between Tom Haines (39) and an ever belligerent Phil Salt, who slashed 11 boundaries in his 67-ball 80. His dismissal was the perhaps the finest of Ackermann’s crop, with the ball jutting in sharply off a length to force him either to stand still and take his own shot in the gonads or back away and prod it meekly into the bowler’s own mitts, though Hasan Azad’s gymnastics at short leg to catch Chris Jordan and Ollie Robinson within three deliveries on the eve of the new ball the next morning would likely beg to differ.

The hosts had earlier found themselves five down for 36 under an hour into the season, with Salt’s charge a welcome reparation for the indignity that was feathering Chris Wright behind to nab a duck right on the stroke of 11am. Tom Taylor had then run rampant, quelling any lingering doubt around Paul Horton’s decision not to contest the toss under uncharacteristically fine April skies. Upon bowling skipper Ben Brown first ball, the one-time Derbyshire man was on a hat-trick with figures reading 6.1-2-12-4, and by mid-afternoon that too became a career best with the additions of David Wiese and Ollie Robinson’s off and middle stumps respectively.

Wiese had reached 51 by that stage, following up his counter-attacking 139 against Cardiff MCCU five days prior with more of the same before driving past another fine Taylor ball that nipped in. Driving expansively through the offside had worked relative wonders as the score almost tripled in just 10 overs of Wiese joining Stiaan van Zyl, who was marking his first Championship innings after 10 months sidelined with a bruised kneecap, but momentum slipped once again after van Zyl pulled Leicestershire’s winter signing Wright down onto his wicket shortly before lunch.

For the third successive summer, IPL calls from their seam stocks have lured Sussex into short-term overseas reinforcement. This time, that comes in the shape of one-test Pakistan left-armer Mir Hamza, who makes up for his lack of name recognition with mighty swing and a stellar record of 282 wickets at 18.37. Catching the Ateeq Javid nudge back to his right-hand side made that 283 before six overs were out, and by the time he’d called an early tea with one that outfoxed a visibly irked Mark Cosgrove by swaying deceptively in from leg, Leicestershire were well on their way to a Sussex-like 59 for 5.

After surviving an early Hamza appeal, Lewis Hill ably stabilised proceedings with consecutive partnerships of 92 and 52 with Harry Dearden and Taylor respectively, facing one more ball than his top five combined as he built a gentle 67 across either side of the light-enforced close of play. Danny Briggs earned his reward after warming up for what seemed like the first 55 overs as Hill swept hard over a full ball that skittled his off stump, but not before Hill had played the same shot somewhat more successfully to bring up a coveted April batting point. That was joined by a second in the final over before a belated lunch as Wright and a twitchy Will Davis put on 31 for the final stand, eventually broken six balls (and no runs) later as Ollie Robinson topped off a typically understated collection of 4 for 46.

The second day proved to be the peak for Sussex, as their overnight 211 for 2 was followed up by another six wicket session, with van Zyl at least waiting one ball longer than Salt had before giving Hill and umpire Jeff Evans their first actions of the morning. Taylor soon sent a middle pole cartwheeling from behind Luke Wells and had a quacking Wiese trapped in front in overs either side of Ackermann’s continuing plunder running into Brown, who claimed the first pair of noughts in his decade-plus at the first-class level when a turner came into his back pad. Once Taylor had picked off Briggs to claim his tenth of the game with the last ball of his second-priciest over, Wright took all of one ball to seal the hosts’ fate and set his side an eminently chaseable 230 in a day and a half.

That equation morphed into 131 on the final day after an evening washout with Leicestershire only a Javid down, and with it kept looking firmly in the visitors’ favour as none of Horton, Azad, Cosgrove, or Ackermann appeared keen to rush things along amidst the most pleasant conditions of the game. After two rejected appeals, two more wickets came for the economic Robinson through edges to Salt in the slips, though Horton’s ended up deflecting off his hands to be taken by Jordan instead. Eight overs apiece from Briggs and Wells were nowhere near as fruitful for spin as the pitch had suggested via Ackermann the night before. Likewise, 24 split between sub-par displays of Hamza and Jordan conceded 110 runs, as steadier heads ultimately prevailed in an enthralling display that left Leicestershire sitting atop the Division 2 table.

Miserable Hampshire chase allows Glamorgan a record win in Vitality Blast opener

The Ageas Bowl: Glamorgan 168/6 (David Lloyd 38*, Colin Ingram 35, Liam Dawson 2/25) beat Hampshire 105 (Andrew Salter 3/34, Ingram 2/15, Graham Wagg 2/17) by 63 runs

One could forgive a Hampshire supporter for hauling a cool bag of above-moderate expectations out to The Ageas Bowl for Friday night’s sun-kissed Vitality Blast opener. Craig White’s side comes with a strong pedigree in the short format, after all – being attendees at Finals Day for seven of the the past eight summers and twice champions, anchored by an incessant core of strong internationals, and fresh off sealing a dominant victory in the game’s other limited overs format at Lord’s just six days prior, it’d be rude not to have faith for their homecoming.

Freshly imported to bolster a top order that already ranks amongst the circuit’s strongest, 86-cap New Zealander Colin Munro made inroads towards an under-par Glamorgan target of 168 by dispatching Andrew Salter for a deep boundary with the first ball of the innings. Such audacity was immediately stemmed, however, as Chris Cooke took a sharp catch behind before Lord’s hero Rilee Rossouw misjudged a sweep to leave the score at 9/2 six balls in. That became 15/4 three overs later as Timm van der Gugten caught both a stunning return grab off England misfit James Vince (2) and a flimsy prod from former Kent talisman Sam Northeast (3) off the miserly Michael Hogan, hopes of anything respectable lay firmly on the shoulders of Tom Alsop, who struck a bold 64 in similar circumstances last summer against Sussex.

Instead, all he could muster was a lethargic pull on 12 to become Salter’s third victim, and Graham Wagg’s brace of Lewis McManus (0) and Liam Dawson (2) to similar shots into Salter’s hands the next over sparked hunts for the record books. From a platform of 32/7, only superfluous counterattack from tail-end duo Gareth Berg (26) and Kyle Abbott (a career-best 29) kept Hampshire from limboing beneath their decade-old previous lowest of 85, and by the time they closed their tallies the formidable ground appeared yet more cavernous. Around 7,500 spectators appeared, and all many had to sing about was how football may well be coming home. Continue reading “Miserable Hampshire chase allows Glamorgan a record win in Vitality Blast opener”

UOSM2008: Topic 2 reflection

This post is part of a series published as part of the University of Southampton’s Living and Working on the Web module. To find out more, including links to all of this year’s student blogs, check out the UOSM2008 website.

Understanding news and contemporary media is a particular interest of mine – my ongoing dissertation work is on how journalists and publishers use digital tools and their perceptions and reactions to the “post-truth” epidemic – so it’s fair to say this has been my favourite topic so far. With this issue of authenticity so prevalent, in my post I looked to summarise the assorted facets of fake news, to what extent social media has played a role in it, and, using a MOOC exercise, how to critically assess what we see to determine trustworthiness.

In response, Nikhita Sharma raised a challenging question: why now? After brief deliberation, the conclusion that made most sense to me was to look primarily at how the wider cultural context is being reflected online, rather than any explicit technological factors. On his blog, Tom Pethick noted the associated concept of the Overton window, as explained by Vox‘s Carlos Maza.

In my comment on Tom’s blog, I also cited Tom Rowledge‘s alarming statistic (from Gabielkov et. al., 2016) that 59% of links shared online haven’t even been opened, which itself was cleverly buried beneath a bogus headline bold enough to entice me to read further. The interactive activity he embedded also proved a fun, accessible insight into how easily online influence can be built when integrity is set aside.

Throughout the module I have been enjoying Jeremy Luzinda‘s witty takes on each topic, and his infographic for this topic is too memorable not to share here.

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Five steps to assessing online content. Source: Jeremy Luzinda, 2018

My comment ventured beyond increasing users’ media literacy into how the service providers themselves might be compelled to act. It was unfortunate that we couldn’t discuss this further – I find Facebook’s survey example perfectly straightforward, but is handing users the power to shape authenticity an irresponsible and flawed approach? Only time can tell…

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Live review: Khalid at Eventim Apollo, London

R&B’s newest superstar remains unfinished both on stage and on record, but a Valentine’s crowd is certainly not bothered.

Originally published in The Edge

374 days ago, the idea of Khalid filling out Hammersmith’s prestigious Eventim Apollo – let alone doing so twice with ease at rather lofty prices – would have seemed more than a little far fetched. He was making his London debut seven physical miles and a million conceptual ones away at Hoxton Square Bar & Kitchen, a venue typically reserved for the newest of newcomers and perhaps best known at the time for over-the-bar barbecue courtesy of Michigan techno oddball Seth Troxler. Courtesy of still being a week away, debut album American Teen hadn’t yet accrued any of its multiple billion streams. In fact, when The Edge took a punt on him to feature as one of our picks for 2017 the month before, it was only after a haphazard combination of play counts that we arrived at a figure of 30 million streams for ‘Location’ to make our selection seem that little bit more statistically sound. Here, it would be remiss of us not to attempt something similar: per Wikipedia, the Khalid of today has 46 platinum certifications around the globe. Continue reading “Live review: Khalid at Eventim Apollo, London”

UOSM2008: The “fake news” bubble and how to (potentially) handle it

This post is part of a series published as part of the University of Southampton’s Living and Working on the Web module. To find out more, including links to all of this year’s student blogs, check out the UOSM2008 website.

Task: Evaluate how to assess the reliability and authenticity of online information

The “fake news” bubble

“Fake news” is an inescapable term of the zeitgeist, in part thanks to politicians using it to discredit journalists (Juliane Lischka, 2017), Macedonian teenagers creating hoaxes to share widely across Facebook for easy ad revenue (Samanth Subramanian, 2017; Craig Silverman, 2016), discussions around journalistic standards (James Ball, 2017Mark Di Stefano, 2018), and social networks endlessly vacillating on how best to handle it all (Mark Zuckerberg, 2017; Adam Mosseri, 2018, Alex Kantrowitz, 2018). Google Trends data shows an explosion in related search activity around 2016’s US elections and close associations with Donald Trump, broadcasters like CNN and Fox, and verification services like Snopes.

Web search interest in the term "fake news" between January 2004 and March 2018. Source: Google Trends.
Web search interest in the term “fake news” between January 2004 and March 2018. Source: Google Trends.

However, its history is deeper. In this video I recorded with Adam Rann and Ryan Dodd for the UOSM2012 module last year, we investigate how the phenomenon came to be.

How to (potentially) handle it

In a New Statesman extract from his book on the subject, James Ball (2017) points to five actions readers can take to dispel these post-truth trends.

  • Proactively seek content from contrasting sources to prevent filter bubbles, where algorithmic personalisation and our curation limit the viewpoints we’re exposed to online (Eli Pariser, 2011)
  • React with careful consideration, verifying sources and assessing credibility before sharing
  • Improve statistical literacy to better understand poor, misleading, or inaccurate data presentation (John Burn-Murdoch, 2013; Agata Kwapien, 2015)
  • Approach everything – not just what we’re inclined to disbelieve – with skepticism
  • Resist baseless conspiracy, lest help fuel anti-expertise sentiment (Henry Mance, 2016)

How can we apply this framework to an example? Here’s one from the “Learning in the Network Age” MOOC (FutureLearn, 2017):

MOOC Fake News Example
Source: FutureLearn (University of Southampton)

The headline may be eye-catching, the URL plausible (KTLA is a genuine broadcaster), and “sources” reputable (NASA and Caltech researchers). However, there are telltale signs that this is fake, such as the author’s name (Jonah Oaxer = Jon, A Hoaxer), the lack of corroborating external sources, and the extreme language (e.g. “NASA”‘s “our days are numbered”). Additionally, other content on the site is outdated (e.g. a privacy policy updated in 2016) and of a similar clickbait nature designed for viral sharing rather than credible journalism.

Bibliography

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“Willing and excited and enthusiastic, that’s really what we are” – An interview with Sofi Tukker

The New York duo tell all about their unlikely friendship, what makes a perfect party, and percussive on-stage foliage.

Originally recorded for Surge Radio and published in The Edge

Sofi Tukker (aka Sophie Hawley-Weld and Tucker Halpern) might not be a household name just yet, but you’ll certainly recognise their sound. Since the release of their Portuguese-language debut ‘Drinkee’ in 2015, vocalist Sophie Hawley-Weld and basketball player turned instrumentalist Tucker Halpern have been fusing her bossa nova adoration with his house style for a series of infectious releases, including 2016’s debut EP Soft Animals. Last autumn, they were picked out by Apple to soundtrack their iPhone X campaign, launching ‘Best Friend’ – a lively ode to friendship penned alongside New York duo The Knocks, Australian twins NERVO, and Japanese newcomer Alisa Ueno – directly to a global audience. During their recent headline tour across Europe, we caught up with the pair to dig into what makes their unlikely friendship so special and find out what they’ve got brewing for 2018.

Continue reading ““Willing and excited and enthusiastic, that’s really what we are” – An interview with Sofi Tukker”

UOSM2008: Topic 1 reflection

This post is part of a series published as part of the University of Southampton’s Living and Working on the Web module. To find out more, including links to all of this year’s student blogs, check out the UOSM2008 website.

Having previously explored digital inequalities as part of SOCI3073, it was interesting to explore a wide, more specific array of thoughts on digital differences. Personally, I could not find any factors that impede my digital usage or access to opportunity, hence I chose to look deeper at efforts to provide tools and skills to less digitally privileged users.

Here, Carl Leckstein commented (with a 2012 Guardian piece) that internet access should be considered a human right. Ultimately, I agree with what his reflection concludes – access is essential for today’s way of life and this will only increase globally as technological adoption and provision increases. We must, however, neither ignore concerns nor accept divides as inevitable.

Chloe Cripps’ blog raised an interesting question about MOOCs and how they deliver on their promise of education for all, and researching this led me to Coursera data (Zhenghao et. al., 2015) on who actually uses their services and why. Aleph Molinari’s TEDx talk – as highlighted by Chloe and others – is promising, as his work looks to close digital divides with eco-friendly social hubs and rapid digital literacy education rather than mere infrastructure, as in my example of OLPC.

Elsewhere, on Chloe Cheung’s blog, we discussed more international contrasts after she discussed using Chinese services. This led me to The Verge, where Shannon Liao (2018) explores WeChat’s ubiquity and how China’s government has helped it grow into from messaging into a state ID system. However, as Chloe responded, this hostile approach is not ideal.

We cannot force digital usage upon [communities]. We can only educate them to understand the wider benefits of the Web.

Regretfully, other commitments mean I have been unable to work significantly towards increasing multimedia usage on the blog or participating more frequently in comments and MOOCs, but topic 2 looks right up my street…

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